A world-class, all-tube amplifier designed from the ground up to meet the exacting needs of one of today's preeminent guitarists.
Tom's playing and technique cover an insane amount of sonic territory. From Jazz to Prog, fretless guitar to two-hand tapping, he needs an amplifier that does a little bit of everything really well. We designed two unique channels, custom EQ's, useful and intuitive switches, innovative Master Volume circuitry, a transparent effects loop and no negative feedback make for a unique playing experience.
Available as a 1x12 or 2x10 version. A single 150W Celestion Redback or a pair of 30W Celestion Greenback 10's bring the thunder.
Channel 1 features two gain stages, Volume, Bass, Middle and Treble controls. Bright and Midshift switches bring added versatility. Adjusting the Volume in conjunction with the PPIMV allows for pristine cleans to edge-of-breakup growl. Bring your pedals, because this channel will take them with open arms.
Channel 2 is insanely flexible and powered by four gain stages. Controls include Gain, Bass, our unique "Vari-Q" Midrange circuit (comprised of Middle level, Midsweep and a Midshift switch), Treble, and Volume. A Gain Boost switch adds saturation and a Comp switch adds diode clipping for liquid sustain.
Post-Phase Inverter Master Volumes are heralded for allowing a cranked up tone and feel at manageable volume levels. Often they are found as a modification to classic amps that lacked a Master Volume. Our PPIMV is our take on a classic PPIMV circuit, but with two independent foot-switchable controls for rhythm and lead.
A completely transparent effects loop allows you to place time-based or modulation effects after the preamp where they belong with no detriment to your tone.
A custom-designed Mercury Magnetics power plant is the heart and soul of all of our amps. We use our proprietary power transformer in all of our amps and the output transformer is designed in tandem with each model to accentuate the feel we are after.
We hear it all the time: "Is this thing on?" Noise doesn't have to be part of your tone. We keep a low noise floor in mind from the moment we start designing everything we make. We feel you should focus on your playing your amp, not fighting it.
Tom Monda playing the TM50 prototype for the first time
Tom playing the TM50 live sitting in with Intervals
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